Surrealistic Subversion: The Oceanic Depths of MR. PEABODY AND THE MERMAID
Introduction The mermaid (Ann Blyth) excitedly showcases her underwater abode in an impressive swimming sequence There’s no simple nor...
Abstraction, Subversion & Balance : The Hypocrisy of Queer Representation in BEHIND THE MAKEUP
So often the magnitude of complexity renders us incapable of finding it in the most accessible spaces, making its elusive quality all the...
Abstraction, Subversion & Balance : The Hypocrisy of Queer Representation in BEHIND THE MAKEUP
So often the magnitude of complexity renders us incapable of finding it in the most accessible spaces, making its elusive quality all the...
Paradise Cocktails & Golden Gates: Manifestations of Mortality in ONE WAY PASSAGE
The soft croon of a choir resonates warmly, supplemented by a soothing static buzz borne of sundry conversations, all words...
Paradise Cocktails & Golden Gates: Manifestations of Mortality in ONE WAY PASSAGE
The soft croon of a choir resonates warmly, supplemented by a soothing static buzz borne of sundry conversations, all words...
Appearance & Deceit: The Veiled Queerness of STOLEN HOLIDAY
Introduction Publicity poster advertising STOLEN HOLIDAY, 1937 It’s a common theme in Kay Francis movies to see her enter a loveless...
Appearance & Deceit: The Veiled Queerness of STOLEN HOLIDAY
Introduction Publicity poster advertising STOLEN HOLIDAY, 1937 It’s a common theme in Kay Francis movies to see her enter a loveless...
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