Detachment Conflict: On FIVE EASY PIECES
The emotional turmoil that FIVE EASY PIECES inflicted is precisely what endeared it to me — a film that challenges our morals and tests...
BEYOND THE SORDID SOIREE: ON ‘CRIMES OF PASSION’ & THE INTERSECTION OF SEX AND SOCIE
Sex is far too often presented as reductive surface sensationalism, a buoying excuse to indulge in objectifying hedonism — where dignity...
Sex, Strategy, & Lawrence Kasdan’s BODY HEAT
Sex, like anything else in film, can be a welcomed addition or gratuitous fodder — and in saying this I’d like to clearly mark myself an...
SWING SHIFT: A HOMAGE TO HOMOSEXUALITY
I want to preface this by confessing I have yet to watch the final theatrical version of SWING SHIFT, so everything stated here-in will...
Sympathy, Stigma, and A BILL OF DIVORCEMENT
There’s something deeply cerebral and timeless about A BILL OF DIVORCEMENT and the way it philosophizes the societal stigma behind mental...
Championing the Queer Experience in CACTUS FLOWER: a review
The genius of CACTUS FLOWER begins with its titular duality, at once defining both the film’s prevailing allegory as well as epitomizing...
Misunderstood and Maligned: Reappraising THE WHITE ANGEL, and the case for Kay Francis
Introductory preface: This piece is part of Dr. Annette Bochenek’s Biopic Blogathon, something in which I’m delighted to partake. You can...
Misunderstood and Maligned: Reappraising THE WHITE ANGEL, and the case for Kay Francis
Introductory preface: This piece is part of Dr. Annette Bochenek’s Biopic Blogathon, something in which I’m delighted to partake. You can...
Surrealistic Subversion: The Oceanic Depths of MR. PEABODY AND THE MERMAID
Introduction The mermaid (Ann Blyth) excitedly showcases her underwater abode in an impressive swimming sequence There’s no simple nor...
Surrealistic Subversion: The Oceanic Depths of MR. PEABODY AND THE MERMAID
Introduction The mermaid (Ann Blyth) excitedly showcases her underwater abode in an impressive swimming sequence There’s no simple nor...
Paradise Cocktails & Golden Gates: Manifestations of Mortality in ONE WAY PASSAGE
The soft croon of a choir resonates warmly, supplemented by a soothing static buzz borne of sundry conversations, all words...
Paradise Cocktails & Golden Gates: Manifestations of Mortality in ONE WAY PASSAGE
The soft croon of a choir resonates warmly, supplemented by a soothing static buzz borne of sundry conversations, all words...
The Understated Comeback: Kay Francis and IN NAME ONLY
When I first watched IN NAME ONLY, the shock of subverted expectations dominated my experience, which in turn engendered a reading marked...
The Understated Comeback: Kay Francis and IN NAME ONLY
When I first watched IN NAME ONLY, the shock of subverted expectations dominated my experience, which in turn engendered a reading marked...
Sex, Stardom, and Survival In SUNSET BOULEVARD & ALL ABOUT EVE
1950 was a momentous year for film — so prolific, in fact, that it engendered one of the most divisive and competitive Best Actress races...
Sex, Stardom, and Survival In SUNSET BOULEVARD & ALL ABOUT EVE
1950 was a momentous year for film — so prolific, in fact, that it engendered one of the most divisive and competitive Best Actress races...
On Maugham & Murder: Bette Davis VS Jeanne Eagels in THE LETTER
Preface: Upon conducting research for this article, I stumbled upon this wonderful piece written by my friend, Angela, that does an...
On Maugham & Murder: Bette Davis VS Jeanne Eagels in THE LETTER
Preface: Upon conducting research for this article, I stumbled upon this wonderful piece written by my friend, Angela, that does an...
On Feminism, Francis, and Fiction: Bite-sized Food For Thought
PREFACE: This is now the second installment in what will be a continuing series that takes an informal, desultory approach by providing...
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