Misunderstood and Maligned: Reappraising THE WHITE ANGEL, and the case for Kay Francis
Introductory preface: This piece is part of Dr. Annette Bochenek’s Biopic Blogathon, something in which I’m delighted to partake. You can...
Abstraction, Subversion & Balance : The Hypocrisy of Queer Representation in BEHIND THE MAKEUP
So often the magnitude of complexity renders us incapable of finding it in the most accessible spaces, making its elusive quality all the...
Abstraction, Subversion & Balance : The Hypocrisy of Queer Representation in BEHIND THE MAKEUP
So often the magnitude of complexity renders us incapable of finding it in the most accessible spaces, making its elusive quality all the...
Paradise Cocktails & Golden Gates: Manifestations of Mortality in ONE WAY PASSAGE
The soft croon of a choir resonates warmly, supplemented by a soothing static buzz borne of sundry conversations, all words...
Paradise Cocktails & Golden Gates: Manifestations of Mortality in ONE WAY PASSAGE
The soft croon of a choir resonates warmly, supplemented by a soothing static buzz borne of sundry conversations, all words...
The Understated Comeback: Kay Francis and IN NAME ONLY
When I first watched IN NAME ONLY, the shock of subverted expectations dominated my experience, which in turn engendered a reading marked...
The Understated Comeback: Kay Francis and IN NAME ONLY
When I first watched IN NAME ONLY, the shock of subverted expectations dominated my experience, which in turn engendered a reading marked...
On Feminism, Francis, and Fiction: Bite-sized Food For Thought
PREFACE: This is now the second installment in what will be a continuing series that takes an informal, desultory approach by providing...
On Feminism, Francis, and Fiction: Bite-sized Food For Thought
PREFACE: This is now the second installment in what will be a continuing series that takes an informal, desultory approach by providing...
Appearance & Deceit: The Veiled Queerness of STOLEN HOLIDAY
Introduction Publicity poster advertising STOLEN HOLIDAY, 1937 It’s a common theme in Kay Francis movies to see her enter a loveless...
Appearance & Deceit: The Veiled Queerness of STOLEN HOLIDAY
Introduction Publicity poster advertising STOLEN HOLIDAY, 1937 It’s a common theme in Kay Francis movies to see her enter a loveless...
Latent Lesbianism in LADIES’ MAN
Preface: I’m very excited to share what will be the first of many collaborations between myself and Francesca, a cherished friend of mine...
Latent Lesbianism in LADIES’ MAN
Preface: I’m very excited to share what will be the first of many collaborations between myself and Francesca, a cherished friend of mine...
The Power of Voice, Even In Silence: Kay Francis and CONFESSION
Vera Kowalska has nothing left but her voice — and yet, it is her purposeful silence that speaks deafening volumes. 1937 theatrical...
The Power of Voice, Even In Silence: Kay Francis and CONFESSION
Vera Kowalska has nothing left but her voice — and yet, it is her purposeful silence that speaks deafening volumes. 1937 theatrical...
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