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Detachment Conflict: On FIVE EASY PIECES

The emotional turmoil that FIVE EASY PIECES inflicted is precisely what endeared it to me — a film that challenges our morals and tests...

Sex, Strategy, & Lawrence Kasdan’s BODY HEAT

Sex, like anything else in film, can be a welcomed addition or gratuitous fodder — and in saying this I’d like to clearly mark myself an...

WILD AT HEART: Lynch’s Cinematic Zeitgeist

WILD AT HEART is the American Dream ablaze in hot pink, an enchanting compendium of cinematic parables where EASY RIDER meets THE WIZARD...

SWING SHIFT: A HOMAGE TO HOMOSEXUALITY

I want to preface this by confessing I have yet to watch the final theatrical version of SWING SHIFT, so everything stated here-in will...

Sympathy, Stigma, and A BILL OF DIVORCEMENT

There’s something deeply cerebral and timeless about A BILL OF DIVORCEMENT and the way it philosophizes the societal stigma behind mental...

Lylah Clare and the Horror of Hollywood

From the start of his career, Bob Aldrich was always hellbent on dissecting Hollywood. His films cut through its gilded exterior with...

Mortality and Masculinity in HUSBANDS

There is no sound way to fully satiate grief. It is an unending and demanding abscess, gaping, dark and unearthly in its formless shadow...

CALAMITY JANE, QUEER CANONBALL

MGM’s star-studded, loosely biographical musical of garish proportions CALAMITY JANE is David Butler’s Trojan Horse: a star-studded...

The Divine Feminine and BENEDETTA

If sex is power, is not power, by association, a sin? BENEDETTA is Verhoeven’s greatest paradox — unabashedly candid yet cloaked in an...

PRIVATE BENJAMIN & Its Personal Touch: A Review

There’s a beautiful poeticism innate to PRIVATE BENJAMIN, found within the deeply personal and profound performance put forth by its star...

GLORIA (1999): A RETROSPECTIVE

Sharon Stone as Gloria and Jean-Luke Figueroa in Lumet’s GLORIA (1999) So often we carelessly conflate the terms ‘remake’ and ‘rendition’...

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