Detachment Conflict: On FIVE EASY PIECES
The emotional turmoil that FIVE EASY PIECES inflicted is precisely what endeared it to me — a film that challenges our morals and tests...
Sex, Strategy, & Lawrence Kasdan’s BODY HEAT
Sex, like anything else in film, can be a welcomed addition or gratuitous fodder — and in saying this I’d like to clearly mark myself an...
A MARQUEE ON MASCULINITY: Y TU MAMÁ TAMBIÉN & WITHNAIL AND I
I’m a firm believer that cinema is best experienced in grandiose fashion. It’s a privilege I’ve relentlessly reaped since moving to Los...
WILD AT HEART: Lynch’s Cinematic Zeitgeist
WILD AT HEART is the American Dream ablaze in hot pink, an enchanting compendium of cinematic parables where EASY RIDER meets THE WIZARD...
SWING SHIFT: A HOMAGE TO HOMOSEXUALITY
I want to preface this by confessing I have yet to watch the final theatrical version of SWING SHIFT, so everything stated here-in will...
Sympathy, Stigma, and A BILL OF DIVORCEMENT
There’s something deeply cerebral and timeless about A BILL OF DIVORCEMENT and the way it philosophizes the societal stigma behind mental...
THE HIDDEN DIMENSION BEHIND THE QUICK AND THE DEAD: A REVIEW
It’s a grand shame that THE QUICK AND THE DEAD continues to be unjustly appraised on account of media pedantry, flattened to an...
Championing the Queer Experience in CACTUS FLOWER: a review
The genius of CACTUS FLOWER begins with its titular duality, at once defining both the film’s prevailing allegory as well as epitomizing...
Lylah Clare and the Horror of Hollywood
From the start of his career, Bob Aldrich was always hellbent on dissecting Hollywood. His films cut through its gilded exterior with...
Mortality and Masculinity in HUSBANDS
There is no sound way to fully satiate grief. It is an unending and demanding abscess, gaping, dark and unearthly in its formless shadow...
CALAMITY JANE, QUEER CANONBALL
MGM’s star-studded, loosely biographical musical of garish proportions CALAMITY JANE is David Butler’s Trojan Horse: a star-studded...
The Divine Feminine and BENEDETTA
If sex is power, is not power, by association, a sin? BENEDETTA is Verhoeven’s greatest paradox — unabashedly candid yet cloaked in an...
PRIVATE BENJAMIN & Its Personal Touch: A Review
There’s a beautiful poeticism innate to PRIVATE BENJAMIN, found within the deeply personal and profound performance put forth by its star...
GLORIA (1999): A RETROSPECTIVE
Sharon Stone as Gloria and Jean-Luke Figueroa in Lumet’s GLORIA (1999) So often we carelessly conflate the terms ‘remake’ and ‘rendition’...
Misunderstood and Maligned: Reappraising THE WHITE ANGEL, and the case for Kay Francis
Introductory preface: This piece is part of Dr. Annette Bochenek’s Biopic Blogathon, something in which I’m delighted to partake. You can...
Misunderstood and Maligned: Reappraising THE WHITE ANGEL, and the case for Kay Francis
Introductory preface: This piece is part of Dr. Annette Bochenek’s Biopic Blogathon, something in which I’m delighted to partake. You can...
Abstraction, Subversion & Balance : The Hypocrisy of Queer Representation in BEHIND THE MAKEUP
So often the magnitude of complexity renders us incapable of finding it in the most accessible spaces, making its elusive quality all the...
Abstraction, Subversion & Balance : The Hypocrisy of Queer Representation in BEHIND THE MAKEUP
So often the magnitude of complexity renders us incapable of finding it in the most accessible spaces, making its elusive quality all the...
On Maugham & Murder: Bette Davis VS Jeanne Eagels in THE LETTER
Preface: Upon conducting research for this article, I stumbled upon this wonderful piece written by my friend, Angela, that does an...
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