BEYOND THE SORDID SOIREE: ON ‘CRIMES OF PASSION’ & THE INTERSECTION OF SEX AND SOCIE
Sex is far too often presented as reductive surface sensationalism, a buoying excuse to indulge in objectifying hedonism — where dignity...
Sex, Strategy, & Lawrence Kasdan’s BODY HEAT
Sex, like anything else in film, can be a welcomed addition or gratuitous fodder — and in saying this I’d like to clearly mark myself an...
WILD AT HEART: Lynch’s Cinematic Zeitgeist
WILD AT HEART is the American Dream ablaze in hot pink, an enchanting compendium of cinematic parables where EASY RIDER meets THE WIZARD...
SWING SHIFT: A HOMAGE TO HOMOSEXUALITY
I want to preface this by confessing I have yet to watch the final theatrical version of SWING SHIFT, so everything stated here-in will...
Sympathy, Stigma, and A BILL OF DIVORCEMENT
There’s something deeply cerebral and timeless about A BILL OF DIVORCEMENT and the way it philosophizes the societal stigma behind mental...
THE HIDDEN DIMENSION BEHIND THE QUICK AND THE DEAD: A REVIEW
It’s a grand shame that THE QUICK AND THE DEAD continues to be unjustly appraised on account of media pedantry, flattened to an...
Lylah Clare and the Horror of Hollywood
From the start of his career, Bob Aldrich was always hellbent on dissecting Hollywood. His films cut through its gilded exterior with...
CALAMITY JANE, QUEER CANONBALL
MGM’s star-studded, loosely biographical musical of garish proportions CALAMITY JANE is David Butler’s Trojan Horse: a star-studded...
Surrealistic Subversion: The Oceanic Depths of MR. PEABODY AND THE MERMAID
Introduction The mermaid (Ann Blyth) excitedly showcases her underwater abode in an impressive swimming sequence There’s no simple nor...
Surrealistic Subversion: The Oceanic Depths of MR. PEABODY AND THE MERMAID
Introduction The mermaid (Ann Blyth) excitedly showcases her underwater abode in an impressive swimming sequence There’s no simple nor...
Abstraction, Subversion & Balance : The Hypocrisy of Queer Representation in BEHIND THE MAKEUP
So often the magnitude of complexity renders us incapable of finding it in the most accessible spaces, making its elusive quality all the...
Abstraction, Subversion & Balance : The Hypocrisy of Queer Representation in BEHIND THE MAKEUP
So often the magnitude of complexity renders us incapable of finding it in the most accessible spaces, making its elusive quality all the...
Paradise Cocktails & Golden Gates: Manifestations of Mortality in ONE WAY PASSAGE
The soft croon of a choir resonates warmly, supplemented by a soothing static buzz borne of sundry conversations, all words...
Paradise Cocktails & Golden Gates: Manifestations of Mortality in ONE WAY PASSAGE
The soft croon of a choir resonates warmly, supplemented by a soothing static buzz borne of sundry conversations, all words...
The Understated Comeback: Kay Francis and IN NAME ONLY
When I first watched IN NAME ONLY, the shock of subverted expectations dominated my experience, which in turn engendered a reading marked...
The Understated Comeback: Kay Francis and IN NAME ONLY
When I first watched IN NAME ONLY, the shock of subverted expectations dominated my experience, which in turn engendered a reading marked...
Sex, Stardom, and Survival In SUNSET BOULEVARD & ALL ABOUT EVE
1950 was a momentous year for film — so prolific, in fact, that it engendered one of the most divisive and competitive Best Actress races...
Sex, Stardom, and Survival In SUNSET BOULEVARD & ALL ABOUT EVE
1950 was a momentous year for film — so prolific, in fact, that it engendered one of the most divisive and competitive Best Actress races...
Identity, Illusion, & Industry: Exploring Hollywood Through Hagsploitation
Publicity poster advertising WHAT’S THE MATTER WITH HELEN? WHAT’S THE MATTER WITH HELEN was one of several films to emerge in the wake of...