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Sex, Strategy, & Lawrence Kasdan’s BODY HEAT

Sex, like anything else in film, can be a welcomed addition or gratuitous fodder — and in saying this I’d like to clearly mark myself an...

WILD AT HEART: Lynch’s Cinematic Zeitgeist

WILD AT HEART is the American Dream ablaze in hot pink, an enchanting compendium of cinematic parables where EASY RIDER meets THE WIZARD...

SWING SHIFT: A HOMAGE TO HOMOSEXUALITY

I want to preface this by confessing I have yet to watch the final theatrical version of SWING SHIFT, so everything stated here-in will...

Sympathy, Stigma, and A BILL OF DIVORCEMENT

There’s something deeply cerebral and timeless about A BILL OF DIVORCEMENT and the way it philosophizes the societal stigma behind mental...

Lylah Clare and the Horror of Hollywood

From the start of his career, Bob Aldrich was always hellbent on dissecting Hollywood. His films cut through its gilded exterior with...

CALAMITY JANE, QUEER CANONBALL

MGM’s star-studded, loosely biographical musical of garish proportions CALAMITY JANE is David Butler’s Trojan Horse: a star-studded...

The Understated Comeback: Kay Francis and IN NAME ONLY

When I first watched IN NAME ONLY, the shock of subverted expectations dominated my experience, which in turn engendered a reading marked...

The Understated Comeback: Kay Francis and IN NAME ONLY

When I first watched IN NAME ONLY, the shock of subverted expectations dominated my experience, which in turn engendered a reading marked...

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